Adam Chapman (°1996, Melbourne, Australia) is an artist who works in a variety of media. By taking daily life as subject matter while commenting on the everyday aesthetic of middle class values, Chapman often creates work using creative game tactics, but these are never permissive. Play is a serious matter: during the game, different rules apply than in everyday life and even everyday objects undergo transubstantiation.
His artworks never shows the complete structure. This results in the fact that the artist can easily imagine an own interpretation without being hindered by the historical reality. By rejecting an objective truth and global cultural narratives, he tries to increase the dynamic between audience and author by objectifying emotions and investigating the duality that develops through different interpretations.
His work urge us to renegotiate art as being part of a reactive or – at times – autistic medium, commenting on oppressing themes in our contemporary society. By demonstrating the omnipresent lingering of a ‘corporate world’, he creates with daily, recognizable elements, an unprecedented situation in which the viewer is confronted with the conditioning of his own perception and has to reconsider his biased position.
His works demonstrate how life extends beyond its own subjective limits and often tells a story about the effects of global cultural interaction over the latter half of the twentieth century. It challenges the binaries we continually reconstruct between Self and Other, between our own ‘cannibal’ and ‘civilized’ selves. By examining the ambiguity and origination via retakes and variations, his works references post-colonial theory as well as the avant-garde or the post-modern and the left-wing democratic movement as a form of resistance against the logic of the capitalist market system.
His works are characterised by the use of everyday objects in an atmosphere of middleclass mentality in which recognition plays an important role.
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