Joshua Lutero (°1998, November 5, Philippines) makes films, photos, films and mixed media artworks. By using an ever-growing archive of found documents to create autonomous artworks, Lutero often creates work using creative game tactics, but these are never permissive. Play is a serious matter: during the game, different rules apply than in everyday life and even everyday objects undergo transubstantiation.
His collected, altered and own films are being confronted as aesthetically resilient, thematically interrelated material for memory and projection. The possible seems true and the truth exists, but it has many faces, as Hanna Arendt cites from Franz Kafka. By contesting the division between the realm of memory and the realm of experience, he tries to grasp language. Transformed into art, language becomes an ornament. At that moment, lots of ambiguities and indistinctnesses, which are inherent to the phenomenon, come to the surface.
His works are characterised by the use of everyday objects in an atmosphere of middleclass mentality in which recognition plays an important role. By investigating language on a meta-level, he reflects on the closely related subjects of archive and memory. This often results in an examination of both the human need for ‘conclusive’ stories and the question whether anecdotes ‘fictionalise’ history.
His works focus on the inability of communication which is used to visualise reality, the attempt of dialogue, the dissonance between form and content and the dysfunctions of language. In short, the lack of clear references are key elements in the work. By replaying the work for each exhibition and pushing the evocative power of the work a little further, he tries to focus on the activity of presenting. The character, shape or content of the presented artwork is secondary. The essential things are the momentary and the intention of presenting.
His works are presented with the aim not to provide an idealistic view but to identify where light and the environment are important. The energy of a place and its emotional and spiritual vibrations are always important. By experimenting with aleatoric processes, he absorbs the tradition of remembrance art into daily practice. This personal follow-up and revival of a past tradition is important as an act of meditation.
His works are an investigation of concepts such as authenticity and objectivity by using an encyclopaedic approach and quasi-scientific precision and by referencing documentaries, ‘fact-fiction’ and popular scientific equivalents. By taking daily life as subject matter while commenting on the everyday aesthetic of middle class values, he formalizes the coincidental and emphasizes the conscious process of composition that is behind the seemingly random works. The thought processes, which are supposedly private, highly subjective and unfiltered in their references to dream worlds, are frequently revealed as assemblages.
His works feature coincidental, accidental and unexpected connections which make it possible to revise art history and, even better, to complement it. Combining unrelated aspects lead to surprising analogies. Joshua Lutero currently lives and works in Antipoli City.
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González Rojas Adriana Marcela
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Himmelsbach De Vries Domenique
International Resource Center For Art Cairo
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Madam Cosmic Entrepreneur Mastermind
Oliveira De Figueiredo Prashina
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Patricia Smyka Fathermoonandme
Payanene Velasquez Junior Haminton
Pedraza Eodriguez Emma Angelica
Plasencia Magdaleno Juan Moisés
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Salas Dominguez Mayra Alejandra
Sigurdardottir Johanna Kristbjorg
Vanto Dumisani Vanto Dumfiasco
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