Kino-Eye POST (°1970, Austin, TX, United States) makes films, photos, media art and films. By studying sign processes, signification and communication, POST makes work that generates diverse meanings. Associations and meanings collide. Space becomes time and language becomes image.
His films question the conditions of appearance of an image in the context of contemporary visual culture in which images, representations and ideas normally function. By rejecting an objective truth and global cultural narratives, he creates with daily, recognizable elements, an unprecedented situation in which the viewer is confronted with the conditioning of his own perception and has to reconsider his biased position.
His works isolate the movements of humans and/or objects. By doing so, new sequences are created which reveal an inseparable relationship between motion and sound. By questioning the concept of movement, he finds that movement reveals an inherent awkwardness, a humour that echoes our own vulnerabilities. The artist also considers movement as a metaphor for the ever-seeking man who experiences a continuous loss.
His work urge us to renegotiate film as being part of a reactive or – at times – autistic medium, commenting on oppressing themes in our contemporary society.
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