Jeroen Hoenselaar (°1981, Middelburg, Netherlands) makes photos and sculptures. By applying a poetic and often metaphorical language, Hoenselaar makes work that generates diverse meanings. Associations and meanings collide. Space becomes time and language becomes image.
His photos appear as dreamlike images in which fiction and reality meet, well-known tropes merge, meanings shift, past and present fuse. Time and memory always play a key role. By rejecting an objective truth and global cultural narratives, he tries to grasp language. Transformed into art, language becomes an ornament. At that moment, lots of ambiguities and indistinctnesses, which are inherent to the phenomenon, come to the surface.
His works focus on the inability of communication which is used to visualise reality, the attempt of dialogue, the dissonance between form and content and the dysfunctions of language. In short, the lack of clear references are key elements in the work. By investigating language on a meta-level, he creates with daily, recognizable elements, an unprecedented situation in which the viewer is confronted with the conditioning of his own perception and has to reconsider his biased position.
His work urge us to renegotiate photography as being part of a reactive or – at times – autistic medium, commenting on oppressing themes in our contemporary society. By studying sign processes, signification and communication, he wants to amplify the astonishment of the spectator by creating compositions or settings that generate tranquil poetic images that leave traces and balances on the edge of recognition and alienation.
His works question the conditions of appearance of an image in the context of contemporary visual culture in which images, representations and ideas normally function. Jeroen Hoenselaar currently lives and works in Amsterdam.
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