Walter Fancourt (Philadelphia, Pa., United States) creates mixed media artworks, paintings, sculptures and conceptual artworks. By parodying mass media by exaggerating certain formal aspects inherent to our contemporary society, Fancourt considers making art a craft which is executed using clear formal rules and which should always refer to social reality.
His mixed media artworks isolate the movements of humans and/or objects. By doing so, new sequences are created which reveal an inseparable relationship between motion and sound. By focusing on techniques and materials, he makes works that can be seen as self-portraits. Sometimes they appear idiosyncratic and quirky, at other times, they seem typical by-products of American superabundance and marketing.
His works never shows the complete structure. This results in the fact that the artist can easily imagine an own interpretation without being hindered by the historical reality. By questioning the concept of movement, he tries to increase the dynamic between audience and author by objectifying emotions and investigating the duality that develops through different interpretations.
His works are saturated with obviousness, mental inertia, clichés and bad jokes. They question the coerciveness that is derived from the more profound meaning and the superficial aesthetic appearance of an image. By examining the ambiguity and origination via retakes and variations, he finds that movement reveals an inherent awkwardness, a humour that echoes our own vulnerabilities. The artist also considers movement as a metaphor for the ever-seeking man who experiences a continuous loss.
His works are notable for their perfect finish and tactile nature. This is of great importance and bears witness to great craftsmanship. Walter Fancourt currently lives and works in Greensboro, N.C..
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