Katarina Hybenova (°1983, Poprad, Slovakia) makes photos and films. By applying a poetic and often metaphorical language, Hybenova wants to amplify the astonishment of the spectator by creating compositions or settings that generate tranquil poetic images that leave traces and balances on the edge of recognition and alienation.
Her photos are characterised by the use of everyday objects in an atmosphere of middleclass mentality in which recognition plays an important role. By merging several seemingly incompatible worlds into a new universe, she uses a visual vocabulary that addresses many different social and political issues. The work incorporates time as well as space – a fictional and experiential universe that only emerges bit by bit.
Her works bear strong political references. The possibility or the dream of the annulment of a (historically or socially) fixed identity is a constant focal point. In a search for new methods to ‘read the city’, she often creates work using creative game tactics, but these are never permissive. Play is a serious matter: during the game, different rules apply than in everyday life and even everyday objects undergo transubstantiation.
Her works are often about contact with architecture and basic living elements. Energy (heat, light, water), space and landscape are examined in less obvious ways and sometimes developed in absurd ways. By taking daily life as subject matter while commenting on the everyday aesthetic of middle class values, she focuses on the idea of ‘public space’ and more specifically on spaces where anyone can do anything at any given moment: the non-private space, the non-privately owned space, space that is economically uninteresting.
Her works appear as dreamlike images in which fiction and reality meet, well-known tropes merge, meanings shift, past and present fuse. Time and memory always play a key role. Katarina Hybenova currently lives and works in New York.
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