Ziad N. El-Sayed (°1983, Al-Khobar, Saudi Arabia) makes paintings and films. By applying a wide variety of contemporary strategies, N. El-Sayed plays with the idea of the mortality of an artwork confronted with the power of a transitory appearance, which is, by being restricted in time, much more intense.
His paintings directly respond to the surrounding environment and uses everyday experiences from the artist as a starting point. Often these are framed instances that would go unnoticed in their original context. By replaying the work for each exhibition and pushing the evocative power of the work a little further, he tries to approach a wide scale of subjects in a multi-layered way, likes to involve the viewer in a way that is sometimes physical and believes in the idea of function following form in a work.
His works are made through strict rules which can be perceived as liberating constraints. Romantic values such as ‘inspiration’, ‘genius’ and ‘authenticity’ are thereby neutralised and put into perspective. With a conceptual approach, he tries to focus on the activity of presenting. The character, shape or content of the presented artwork is secondary. The essential things are the momentary and the intention of presenting.
His works are an investigation of concepts such as authenticity and objectivity by using an encyclopaedic approach and quasi-scientific precision and by referencing documentaries, ‘fact-fiction’ and popular scientific equivalents. By using an ever-growing archive of found documents to create autonomous artworks, he reflects on the closely related subjects of archive and memory. This often results in an examination of both the human need for ‘conclusive’ stories and the question whether anecdotes ‘fictionalise’ history.
His works are presented with the aim not to provide an idealistic view but to identify where light and the environment are important. The energy of a place and its emotional and spiritual vibrations are always important. Ziad N. El-Sayed currently lives and works in Jeddah.
A.k.a Muhammad Gregorian Ghodzali Ninetyninezerofive
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Himmelsbach De Vries Domenique
International Resource Center For Art Cairo
Junior Dope Lord Illuminati Lives
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Patagonia Jakarta Moonflower Nine Eleven Superscript One Cecelia
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Plasencia Magdaleno Juan Moisés
Plasencia Magdaleno Juan Moisés
Rodríguez Briseño Gustavo Daniel
Türkiye Lgbtİ Birliği Lezbiyen, Gey, Biseksüel, Trans, İnterseks, Eşcinsel
Vanto Dumisani Vanto Dumfiasco
Vishva Naedurana Pathirannehelage
His Works Are Saturated With Obviousness, Mental Inertia, Clichés And Bad Jokes. They Question The Coerciveness That Is Derived From The More Profound Meaning And The Superficial Aesthetic Appearance Of An Image. By Parodying Mass Media By Exaggerating Certain Formal Aspects Inherent To Our Contemporary Society, He Tries To Create Works In Which The Actual Event Still Has To Take Place Or Just Has Ended: Moments Evocative Of Atmosphere And Suspense That Are Not Part Of A Narrative Thread. The Drama Unfolds Elsewhere While The Build-up Of Tension Is Frozen To Become The Memory Of An Event That Will Never Take Place.
His Works Are Given Improper Functions: Significations Are Inversed And Form And Content Merge. Shapes Are Dissociated From Their Original Meaning, By Which The System In Which They Normally Function Is Exposed. Initially Unambiguous Meanings Are Shattered And Disseminate Endlessly. Goobs Wooster Currently Lives And Works In Solvang.
## %# Rosado Mike