Greggor Mattson (°1974, Camas, Washington, United States) creates performances, mixed media artworks and conceptual artworks. By using popular themes such as sexuality, family structure and violence, Mattson often creates work using creative game tactics, but these are never permissive. Play is a serious matter: during the game, different rules apply than in everyday life and even everyday objects undergo transubstantiation.
His performances are characterised by the use of everyday objects in an atmosphere of middleclass mentality in which recognition plays an important role. By referencing romanticism, grand-guignolesque black humour and symbolism, he creates work through labour-intensive processes which can be seen explicitly as a personal exorcism ritual. They are inspired by a nineteenth-century tradition of works, in which an ideal of ‘Fulfilled Absence’ was seen as the pinnacle.
His works are often classified as part of the new romantic movement because of the desire for the local in the unfolding globalized world. However, this reference is not intentional, as this kind of art is part of the collective memory. By taking daily life as subject matter while commenting on the everyday aesthetic of middle class values, he touches various overlapping themes and strategies. Several reoccurring subject matter can be recognised, such as the relation with popular culture and media, working with repetition, provocation and the investigation of the process of expectations.
His works often refers to pop and mass culture. Using written and drawn symbols, a world where light-heartedness rules and where rules are undermined is created. Greggor Mattson currently lives and works in Oberlin, Ohio.
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