James Granados (°1990, Los Angeles, United States) makes installations, drawings, media art and mixed media artworks. By studying sign processes, signification and communication, his installations references post-colonial theory as well as the avant-garde or the post-modern and the left-wing democratic movement as a form of resistance against the logic of the capitalist market system.
His installations question the conditions of appearance of an image in the context of contemporary visual culture in which images, representations and ideas normally function. By putting the viewer on the wrong track, he tries to create works in which the actual event still has to take place or just has ended: moments evocative of atmosphere and suspense that are not part of a narrative thread. The drama unfolds elsewhere while the build-up of tension is frozen to become the memory of an event that will never take place.
His works demonstrate how life extends beyond its own subjective limits and often tells a story about the effects of global cultural interaction over the latter half of the twentieth century. It challenges the binaries we continually reconstruct between Self and Other, between our own ‘cannibal’ and ‘civilized’ selves. By demonstrating the omnipresent lingering of a ‘corporate world’, he makes work that generates diverse meanings. Associations and meanings collide. Space becomes time and language becomes image.
His works are given improper functions: significations are inversed and form and content merge. Shapes are dissociated from their original meaning, by which the system in which they normally function is exposed. Initially unambiguous meanings are shattered and disseminate endlessly. James Granados currently lives and works in New York City.
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