Benjamin Lindström (°1996, Turku, Finland) makes photos, paintings, photos and drawings. By referencing romanticism, grand-guignolesque black humour and symbolism, Lindström often creates work using creative game tactics, but these are never permissive. Play is a serious matter: during the game, different rules apply than in everyday life and even everyday objects undergo transubstantiation.
His photos are based on formal associations which open a unique poetic vein. Multilayered images arise in which the fragility and instability of our seemingly certain reality is questioned. By taking daily life as subject matter while commenting on the everyday aesthetic of middle class values, he absorbs the tradition of remembrance art into daily practice. This personal follow-up and revival of a past tradition is important as an act of meditation.
His works are saturated with obviousness, mental inertia, clichés and bad jokes. They question the coerciveness that is derived from the more profound meaning and the superficial aesthetic appearance of an image. By choosing mainly formal solutions, he makes works that can be seen as self-portraits. Sometimes they appear idiosyncratic and quirky, at other times, they seem typical by-products of American superabundance and marketing.
His works are often classified as part of the new romantic movement because of the desire for the local in the unfolding globalized world. However, this reference is not intentional, as this kind of art is part of the collective memory. By contesting the division between the realm of memory and the realm of experience, he tries to develop forms that do not follow logical criteria, but are based only on subjective associations and formal parallels, which incite the viewer to make new personal associations.
His collected, altered and own works are being confronted as aesthetically resilient, thematically interrelated material for memory and projection. The possible seems true and the truth exists, but it has many faces, as Hanna Arendt cites from Franz Kafka. By parodying mass media by exaggerating certain formal aspects inherent to our contemporary society, he creates work through labour-intensive processes which can be seen explicitly as a personal exorcism ritual. They are inspired by a nineteenth-century tradition of works, in which an ideal of ‘Fulfilled Absence’ was seen as the pinnacle.
His works are characterised by the use of everyday objects in an atmosphere of middleclass mentality in which recognition plays an important role. Benjamin Lindström currently lives and works in Karis.
Acevedo Hülsbusch Juana Joceline
Bidari Basavaraj Shrishail Bidari
Bonton Bonton Bontongone Nelly
Brasser Valentine Marie Caroline
De Torres Y Sandoval Ramón Argila
González Rojas Adriana Marcela
Hernández Hernández Alejandro José
Himmelsbach De Vries Domenique
International Resource Center For Art Cairo
Junior Dope Lord Illuminati Lives
Madam Cosmic Entrepreneur Mastermind
Oliveira De Figueiredo Prashina
Oliveira De Figueiredo Prashina
Oliveira De Figueiredo Prashina
Patil (inspirational Speaker) Rakxit
Patricia Smyka Fathermoonandme
Payanene Velasquez Junior Haminton
Pedraza Eodriguez Emma Angelica
Plasencia Magdaleno Juan Moisés
Rodríguez Briseño Gustavo Daniel
Salas Dominguez Mayra Alejandra
Sigurdardottir Johanna Kristbjorg
Vanto Dumisani Vanto Dumfiasco
Vishva Naedurana Pathirannehelage